Zohar by Ayala Moriel Parfums

orange blossoms2Ever since my spring break visit to Scottsdale, I have been obsessed with the scent of orange blossoms. The orange trees were teeming with their impossibly pungent flowers, and rekindled my passion for its very special perfume. Luckily it didn’t take long to quell my obsession, as I had something awaiting me at home that would satiate my orange blossom needs. 

I mentioned in an earlier post that Ayala of Ayala Moriel Parfums had treated me to a lovely “thank you” package after staying with me in Portland. Fortuitously, not only did it include the Vetiver Racinettes soap that I reviewed, but also a sample of Zohar, her orange blossom soliflore. 

Zohar

The beauty of Ayala’s creations, even her soliflores, is that they are never simple, and Zohar is no exception. There’s no doubt this is an orange blossom fragrance from start to finish, but it has an interesting and beautiful progression that maintains a surprising amount of depth. Even Zohar’s opening which is bright and full of citrus clarity is not a zesty blast. The yuzu and petitgrain are more sweet than bitter, allowing for a richness which is a prelude to the ambery nature of things to come.

The luminosity of the top notes becomes a little hazy, the buzz of musky honey and the fuzzy legs of bees dance around the trees. Just as Ayala had in mind, Zohar morphs into “an orchard in full bloom.” It’s slightly animalic, with hints of fecund soil and overly ripe fruit. Jasmine and tuberose mingle with the orange blossoms, but do not overpower them. They do their assigned job of enhancement, and are allowed to shine only ever so slightly.

Regarding the amber, I mentioned that it makes its first impression at the beginning of the Zohar experience, but only subtly. It isn’t until the heart and base of the fragrance that the fullness of the amber develops into one that is deep, warm and uniquely honeyed. I think it is this honey-amber aspect of Zohar that makes it so rich and ripe, giving it the fertile fruit orchard atmosphere Ayala strove to create. (And successfully did so.)

Zohar also comes in an Anointing Body Oil, which is just as lovely as the perfume, but slightly different. The body oil plays with the brighter, crisper notes of Zohar and is less about the amber. I am more aware of the petitgrain in the oil, and it exudes a cleaner almost sun-dried laundry quality. It’s a beautiful companion to the perfume, and as to be expected, they meld seamlessly when layered. I love how the oil makes the perfume just a little more crisp, which provides the opportunity to appreciate Zohar from another perspective.

Like all off Ayala Moriel Parfums’ products, the Zohar Anointing Oil and Zohar perfumes are 100% all natural.

Zohar EDP $48 for 4ml, $120 for 15ml. Body Oil $25 for 15ml. Please see Ayalamoriel.com for more sizes and pricing information.

Images: Picture of Orange Tree is mine. Zohar image is courtesy of Ayala Moriel Parfums.

Vetiver Racinettes Soap by Ayala Moriel Parfums

Ayala Soap

Ayala Moriel Parfums has begun offering bar soaps, which I am so happy about since they are my favorite delivery mechanism of getting suds to skin. Ayala sent me Vetiver Racinettes, along with a couple other goodies that I will soon review, as a thank you for hosting her and her lovely daughter in our home about a month ago. The pleasure was all ours, as we (my boys, husband and I) had such a terrific time getting to know them and showing them a little bit of Portland during their short visit.

It should go without saying, but I will say it anyway, that I do not feel compelled to write good things about this new soap because it was a gift from Ayala, nor do I feel that is the reason she gave it to me. I am writing this review because I LOVE THIS SOAP! It is truly wonderful. Its slip is silky and its lather is luxurious. It is non-drying and smells just like the listed notes, a perfect balance of vetiver, ginger, cardamom (a favorite of mine) and coffee. It’s of special interest to me as well, that Ayala is working with Open Source Soap of Oregon in creating these all natural, handcrafted soap bars. And for those Film Noir fans out there, the bar form of this fragrance will be released next!

Ayala Soap 2Ayala 3

Vetiver Racinettes Soap Bar available at AyalaMoriel.com $12 for 4.5oz bar

All photographs are mine.

The Clarimonde Project, Part III

As this might be my last installment of The Clarimonde Project, I would like to thank Lucy of IndiePerfumes for inviting me to partake in this extraordinarily inspired adventure. I’m hoping many of you have listened to Clarimonde via Librivox and perused the other participant’s blogs for reviews and beautiful prose inspired by this haunting romance.

There’s one aspect of this story that I have not touched upon yet, and that is the ending when Clarimonde is revealed to be a vampire. Romuald, the priest who fell madly in love with Clarimonde, did not disentangle himself from his lover once he discovered that he had been drugged nightly by her so she could drink his life giving blood. Rather, he seemed to relish that he kept her alive, so much so that his words could be mistaken for the prayer given before taking Holy Communion, “Drink, and may my love infiltrate itself throughout thy body together with my blood.”

When one celebrates Holy Communion, the host (bread) and the wine are symbolic of Christ’s body and blood. In Roman Catholicism specifically, the host and the bread are believed to become the body and blood of Jesus, which is echoed in the aforementioned words of Romuald regarding Clarimonde. Romuald not only partook in this ritual as a priest, but administered it to his parishioners as well. And at night, he gave of his own blood to save the life of Clarimonde. At one point in the story, Romuald even describes Clarimonde’s “beautiful hands” as “purer and more diaphanous than the host,” a direct reference to the Holy Communion.

This story is rife with death, rebirth, blood, flowers, decay, youth and passion. What an abundance of inspiration for a perfumer, right? Indeed it has been. I have three *perfumes at my table right now. One by Ayala Sender of Ayala Moriel Parfums, another by Dawn Spencer Hurwtiz of DSH Perfumes, and finally one by Monica Miller of Skye Botanicals. I have experienced them all separately, but as I have them together now, I am convinced there must have been a Clarimonde collective consciousness wafting through their creative spaces while they concocted their brews as they are rather similar.

They are all intensely floral perfumes that exude the weighty feel of aubergine velvet, burgundy brocades and red damask. Dawn’s perfume, Paradise Lost, is quite ambery and well-aged like a rich port. Monica’s creation, Sangre, is just as deep and dark as Paradise Lost, but it’s a little sweeter like over-ripe blackberries dripping in one’s hand. All three hint at a haylike note, but it’s Ayala’s Clarimonde Dream Pillow that emanates the most earthiness. It’s not a freshly tilled soil though, rather a soil on the edge of decay that is infused with rose, violet and carnation.

Each of these perfumes teeter on the edge between lushness and decomposition, which is right where Romuald existed. And all of The Clarimonde Project creations, including Mandy Aftel’s Oud Luban and Immortal Mine, by Maria McElroy and Alexis Karl are touched by the beauty and depth of this utterly captivating story. I am honored to have been a part of this event that so exquisitely married perfume and literature.

Visit IndiePerfumesScentLessSensibilitiesPerfumePharmerLostPastRemembered for more Clarimonde prose and watch for posts at JadeDresslerPerfume Smellin’ Things as well.

The Clarimonde Project Part I
The Clarimonde Project Part II

*Paradise Lost (DSH Perfumes) and Sangre (Skye Botanicals) are mixed-media perfumes as they contain small amounts of synthetics. Ayala’s Dream Pillow perfume is 100% natural.

Image of The Vampire by Sir Philip Burne-Jones at artmagick

Image of Victorian Vampire by FairyLover17 at etsy

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Top Autumn Sensory Discoveries

I’m nursing a minor, albeit very annoying, cold at the moment. It’s the typical deal, stuffy nose, cough, fatigue- and all I can think about is warmth, comfort and pampering. Fortuitously, a lovely parcel arrived from Ayala Moriel Parfums last week which included a sample of her newest fragrance Zangvil, and its accompanying perfumed tea. Perfect for autumn, perfect for my achey bones.

 

Of course I was thrilled to give her latest perfume creation a try, but it was the tea I really wanted to dive into. OK, so I didn’t literally dive into the tea, but I definitely steeped in it. I held the cup close to my nose and inhaled its steam, allowing the aromatic vapors to heal my tender and congested self. Ayala uses very fine Jasmine Silver Needle tea leaves for Zangvil, which is harvested in the spring and then laced with night blooming jasmine during the summer. I envision the jasmine blooms opening and infusing the white tea leaves with their scent, just as Ayala’s Zangvil tea infused me with its restorative perfume. And not only with the perfume of jasmine, but also of organic crystalized ginger, ambrette seeds and vanilla bean. It’s a gorgeous tea and I think I need to make another cup as I continue to write.

 

Ahhh, now that I have the aroma of Zangvil swirling about me, I am tempted by my other autumnal (and common cold) indulgence- the bath! I guess this is when the real steeping begins right? It’s a simple pleasure really, immersing oneself in hot water. But when you add something deliciously scented into the tub, it becomes a truly pampering experience. My newest bath discovery is Persephenie’s Nanu Lei Bath, a fizzy mineral bath powder with the potent hydrating powers of coconut oil and cocoa butter and the captivating scent of tiare. Nanu Lei Bath has just the right amounts of coconut, tiare and a sparkling citrus to warm your senses with thoughts of a dreamy tropical destination without hitting you over the head with too much of any of them. I adore it.

During the fall and winter months, I like to ramp up the pampering, and apply a facial mask before dipping into the tub. Evan Healy’s French Rose Clay Mask has occupied my number one spot for just over a year now, but I decided to give a new one a try, Naturopathica’s Pumpkin Purifying Enzyme Peel. My first test-drive timing wasn’t great as it was on a hot, dog day of summer, and I was not feeling the scent of pumpkin. Fast forward to the cold chill in the air of late October, and it’s ideal. According to the Naturopathica website, pumpkin is an exfoliator that is loaded with antioxidants given its high beta carotine content. Cinnamon is also in the mask which gives it a spicy aroma and also acts as an antiseptic. I’ll take their word for it, because after I rinsed it away, my skin felt smoother and softer and I had a curious craving for pumpkin pie.

My last autumn discovery is actually a rediscovery of a forgotten perfume love, YSL’s Paris Roses des Bois. This Paris flanker was released in 2004 and it’s been far too long since I paid it any mind. It’s much more wearable on me than the original Paris which I find too cloying. If you’re familiar with Roses des Bois, you know it to be full of pink roses and blackberries, with an added smidge of sandalwood and musk. Not your typical fall-ish fragrance I know, but it’s really working for me in this colder weather. The musk has taken on a new coziness this autumn as the rose feels a little wilder and the blackberry like a special preserve you ration out during the chilly months. Happily, I have a huge bottle that need not be used sparingly. This jammy rose can now take its rightful place at the front of my perfume collection.

What are your latest autumnal discoveries? Feel free to share in this blogging event!

And please visit the following blogs for more autumnal pleasures, and many thanks to Elena of Perfume Shrine for getting this together!

Katie Pukrick Smells

Perfume Shrine

Smelly Blog

The Non Blonde

Top most Image from PennGastronomyClub

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Orcas EDP. A natural marine fragrance by Ayala Moriel Parfums.

Riding the ferries throughout the San Juan Islands is a memory that conjures up fresh marine air, gorgeous vistas of the northernmost Cascade Mountains and tall evergreens that meet the water’s edge. I find it challenging to describe the feeling of being on the water amidst the Pacific Northwest’s humbling beauty so I’m going to rely on my trustiest source for help, National Public Radio.

So I was listening to NPR the other day, Here and Now to be specific, and Robin Young was interviewing the writer Touré about his recent essay in the New York Times on writers writing about tennis. In the interview, which captivated me as I am an avid tennis player, Touré read David Foster Wallace’s description of Roger Federer’s style of play:

“Inspiration, though, is contagious, and multiform — and even just to see, close up, power and aggression made vulnerable to beauty is to feel inspired and (in a fleeting, mortal way) reconciled.”

When I heard those words read aloud, I nodded in agreement, not only because Federer is such an incredibly powerful yet balletic athlete, but also because these words can be applied to most anything sublimely beautiful. His quote embodies my feeling of being on that boat, surrounded by the overwhelming grandeur of nature which as Wallace said, is made vulnerable to its own beauty.

Orcas by Ayala Sender, is an homage to the unique land and seascapes of this region and the Wild Pacific Trail in particular which runs along the westcoast of Vancouver Island. Like all of Ayala’s fragrances, Orcas is expertly blended and as a result the natural materials move like water over a stone, seamlessly and fluidly. The opening is the one moment you’ll take notice of a singular note, as a bitingly green burst of lime initiates the Orcas encounter. Quickly though, after just a few minutes, the remaining notes begin to swell.

Spruce, moss, rosemary and seaweed tumble together in an herbaceous and slightly salty wave, ushering in exhilaration, and renewal. Another passing wave brings forth violet leaf and cedar which heighten the herbal and basalmic aspects of Orcas in their own unique way. Violet leaf is deeply green and leafy thereby ramping up those tones in the rosemary and seaweed while cedar’s smooth and dry quality imparts the spruce and moss with warmth.

In truth though, all of the notes complement each other and meld into one another making note deconstruction feel a bit insignificant. In the end, Orcas stands as a gorgeous, all natural oceanic fragrance that bathes the skin in a maritime-woodland dew. But for those of you who are drawn to vetiver and ambergris, I will say that the drydown has something very special in store for you.

Above is a photo of Ayala Sender in her studio. I took it two summers ago when my family and I visited the San Juans, Vancouver Island, and Vancouver BC where Ayala lives. She has graciously offered to give away a EDP mini to a Scent Hive reader. Just leave a comment and you will be entered. If you have a favorite from her line, please share it!  Drawing is now closed.

Orcas is available at ayalamoriel.com $120 for 15ml splash/spray bottle or a 4ml mini for $45.

Photo of ferry and Mt. Baker is from Panoramio.com

Disclosure: A sample was sent to me for consideration by Ayala Sender. The opinions in this review are my own. I was not financially compensated for this review or any other.

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A Midsummer Night’s Dream, A Perfume Event

 

Amanda Feeley of Esscentual Alchemy has brought together 16 perfumers and 11 bloggers to celebrate summer fragrances inspired by Shakespeare’s “A Midsummer Night’s Dream,” a tale of entangled, wacky love thanks to mischievous fairies and elves. I like to think of Amanda as one of these fairies, spreading various natural potions across the land just to see how we humans react and engage with these delights.

And what delights they are! I received “A Midsummer Night’s Dream” inspirations from Amanda herself, as well as from Ayala Sender.  I’ll begin with Amanda’s creation named “Bottom’s Dream” since it personifies the playful gauziness of a fairy’s wings. Bottom’s Dream refers to Shakespeare’s character, Nick Bottom, who unbeknownst to him, ends up with an ass’s head instead of his own. Titania, queen of the fairies falls in love with him in spite of his donkey face because she has been anointed with a love potion. Amanda too has created a love potion of sorts, because you know what? I am in love with it!


When I first read that a “handmade peach accord” was in the mix, I hoped that meant osmanthus would be a prominent note, and it is. I absolutely adore the fleshy peachiness of osmanthus which is why “Bottom’s Dream” is a success for me. It possesses the peachy sweetness of summer drinks and fresh blossoms at a garden party. Beautiful florals reside in the blend, most notably a fruity rose and a honeyed jasmine that swirl above, below and through the diaphanous osmanthus petals. A very subtle wash of marigold provides an earthy haze and musky pepperiness that keeps “Bottom’s Dream” from floating away too quickly. It stays on the skin for several hours giving this osmanthus lover plenty to dream about.

Ayala’s fragrance for this event is entirely different from Amanda’s. While it bears the insouciant name, “Smiling Country,” it feels far more serious than a daydream. This perfume delves deeper into the soil where seeds germinate after they soak up a nighttime’s rain. Ayala did not send me the notes for her creation, so what I lay before you is pure speculation. I must confess that after I wore it for the first time, I thought a vintage patchouli must be in “Smiling Country” as the drydown emanates its essence. Boronia also made an impression on me, and I had to let Ayala know my guesses. I was right on the boronia, but wrong on the patchouli.

Copyright 2008 Howard David Johnson

So what was that deep, balsamic, almost minty/pine-like essence that I smelled? This combination of dried grass and moist soil? After spending more time with “Smiling Country” I sense a tangy wood such as oud alongside the tannic fruitiness of boronia. Juniper is another possibility as it would be responsible for heightening the woodiness as well as adding an evergreen mintiness. Chamomile, hay and vetiver are my grass note hunches and I think something like mimosa might also be present as a higher pitched floral note dances above the richer woods.

I’m still searching my past olfactory memories for some other note that could possibly explain the patchouli likeness that I still experience when wearing “Smiling Country.” I have a notion that spikenard is lingering in Ayala’s perfume since it is noted to smell musky, animalic, earthy and sweet. (Maybe she’ll let me know if my out-on-a-limb guess is correct). Regardless, “Smiling Country” is for a different kind of “Midsummer Night’s Dream.” One that is rooted in the earth, but is also mysterious and beautiful.

Update: Ayala has posted her reveal of Smiling Country’s notes. Visit her Smelly Blog to find out what they are!

Please visit Amanda’s blog over the next 10 days as she posts links to the other participating blogs.

Titania by Henry Fuseli (1741-1825)

A Midsummer Night’s Dream by Howard David Johnson

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A jasmine for winter. Épice Sauvage by Ayala Moriel Parfums

 

Merging jasmine with winter might seem counterintuitive as this heady, warmblooded flower feels so sultry and lush against the heat of the summer sun. Pairing it with a chill in the air seemed odd to me and it wasn’t until last December that I realized jasmine’s power to soothe and comfort during winter’s frost. It was Aftelier’s Fig that showed me jasmine’s ability to assuage the doldrums of cold rainy day after cold rainy day. Its blend of fir and fig is a jammy alpine enchantment, and I am pleased to say that jasmine’s winter-appropriateness does not end there.


Épice Sauvage by Ayala Moriel Parfums is somewhat gourmand in its treatment of jasmine, as it delves into culinary spices like cardamom, coriander, cinnamon and clove. Interestingly, jasmine grandiflorum was chosen rather than jasmine sambac which initially surprised me. I thought the spicy nature of jasmine sambac to be the obvious choice for this spice laden perfume, but Ayala in her great wisdom and talent chose jasmine grandiflorum which as it turns out, was the perfect choice. I’ll tell you why in a bit.


First, let me explain why Épice Sauvage feels so cozy. I love to bake with cardamom, especially in cookies, so its scent feels homey and nurturing. Of course it elicits images of spice markets as well, but cardamom’s comforting, homebody aspect is very strong to me. In Ayurvedic cooking, cardamom is a warming spice that balances all three doshas which are the elements that determine our physical, mental and emotional characteristics. I don’t adhere to Ayurvedic principles on a routine basis, but I’m pretty sure my dosha is vata for many reasons. Most relevant to this discussion is my preference for summer, so cardamom’s sweet, warm, and activating qualities are immensely welcome this time of year.


Upon first smelling Épice Sauvage, I knew I would love it. Cinnamon introduces the fragrance with a whisper of sweetness and foreshadows the emergence of cardamom as the central spicy focus. And here’s why jasmine grandiflorum was such a brilliant pick, it’s rounder and more voluminous than jasmine sambac which has a spicy tone that might have competed with cardamom’s flavor. With the grandiflorum species, cardamom is given the opportunity to provide Épice Sauvage itspiquancy while the jasmine offers up its lush floral heart.


Cardamom dominates the heart of Épice Sauvage, but as the drydown comes into reach, coriander has an important role as well. This spice is a little earthy and peppery, with a suggestion of woods which plays nicely with the cedar note that reveals itself in the basenotes. But let us not forget jasmine as it continues to support all of these essences. Such a compliant floral foundation for the ofttimes unruly jasmine! In the drydown, its blossoms fully coalesce with cardamom which allows the cedar and coriander to hover over and ultimately permeate the fragrance.


After 3-4 hours of wear, a 2nd drydown occurs, one that is very intimate and oh so pretty. It’s pure jasmine, like the moment the blossom begins to open to the night air. It’s the nascent fragrance of a jasmine, dipped for a brief moment in warm honey and rose blossoms. I can’t think of a better way to revel in jasmine’s winter radiance.


Ayala Moriel Parfums are 100% natural and made with loving care by Ayala Sender. Épice Sauvage is available at AyalaMoriel.com, starting at $48 for a mini to $120 for a 9ml Parfum Extrait Flacon.

Posted by ~Trish

Disclosure: This sample of Épice Sauvage was my own purchase. The opinions in this review are my own. I was not financially compensated for this review or any other.
image: Heart of Snow by Edward Robert Hughes (1851-1914) at artmagick.com

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Ayala Moriel Parfums Cabaret


Ayala Moriel Parfums Cabaret was created with Rahat Loukoum as part of its inspiration. Rahat Loukoum, or Turkish Delight, is a confection made from sugar and rosewater that is sometimes covered in powdered coconut. Sounds delicious enough to wear as a fragrance don’t you think? Several perfumers thought the same including Keiko Mercheri (Loukhoum), Serge Lutens (Rahat Loukoum), and possibly Calypso St. Barth (their Léa is in the same vein), as well as Ayala Sender with Cabaret.


Keiko Mercheri’s Loukhoum is intensely powdery, almost baby powder-like while Serge Lutens’ Rahat Loukoum possesses a cherry syrup note that does not work well on my skin. I find both unbearably cloying. Léa is not as gooey as those two, but it is heavy on the synthetic musk which to my personal taste is stifling. What sets Cabaret apart from this gourmand crowd, is its subtlety and entirely natural ingredient list.


Ayala, being a highly skilled blender of notes, has managed to capture the sweetness of this floral candy while never crossing into overbearing territory. Bergamot sets the stage for Cabaret with a sparkling hint of citrus and an underlying creamy vanilla quality that emerges from Ayala’s amber accord. Her amber is delicious. Benzoin, ambrette, and labdanum swirl together in a musky, resinous, vanillic aroma that makes me a little weak in the knees.


I’d like to clarify the musk issue since I just mentioned not liking synthetic musks. Ambrette seed oil is a vegetal musk that is earthy, musty, fruity and floral. Ambrette feels like the backbone of Cabaret giving each beautiful raw material; benzoin, labdanum, orris root, rose and magnolia, a sprinkling of dark soil that anchors this sweet floral to its incensey/resinous base. Massoia bark oil from Indonesia gives Cabaret its suggestion of coconut. In keeping with the overall feeling of nuance, the coconut is subtle and earthy but heightens vanilla’s sweetness a notch allowing us to savor Cabaret’s gourmand essence.


Cabaret is available at Ayala Moriel Parfums in many different sizes. $45 for a 4ml parfum mini, $65 for a parfum oil 5ml roll-on, please set site for more information.

Posted by ~Trish

Turkish Delight image from FoodNuts.com

Disclosure: Cabaret is from my own collection. The opinons in this review are my own. I was not financially compensated for this review or any other.

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Scents of Comfort: A Joint Blogging Project

Today is the last day of winter, and as we pass from one season to the next we find ourselves in a moment of reflection. Ayala Sender of Ayala Moriel Parfums has gathered a handful of bloggers to reflect on the remarkable scents that gave us comfort this past winter. Here is my selection of perfumes that provided warmth in the cold months and will continue to nest a sanctuary for me anytime of year.

Bancha is the first fragrance that came to mind when I received Ayala’s invitation. I wore it throughout the winter, and it felt nurturing and hopeful. Dawn Spencer Hurwtiz has named this fragrance after a type of green tea, but it is so much more than a “tea” perfume. It’s lemony and minty to be sure, but is entrenched in rich dark soil that provides sustenance to roots and bulbs, a reminder of emerging life. Bancha is equally as gorgeous and appropriate on a man, my husband specifically, which makes my affection for Bancha even stronger.

Royal Couple by Gabriel’s Aunt, is an overtly floral fragrance that is wearable and cozy. It starts with an intoxicating dose of jasmine, develops into a subtly spicy floral in the heart, and dries down to a gorgeous vanilla base. Royal Couple’s blend of jasmine and rose is impeccable and fortunately comes in a candle to help light the way when it’s chilly, be it from the weather or internal storminess.

A perfume can be a salve not so much because of its notes, but because of the association you have with its aroma. When I wore Ayala’s Hanami for the first time last spring, it was a near magical day at the Japanese Gardens with my young boys. The sun was bursting with much longed for radiant heat and the cherry blossoms were glowing with an otherworldly pinkness. Hanami was on my skin, and its floral notes of magnolia and mimosa made the day even sweeter. Despite its petal softness, Hanami is very grounded with woods, tonka, vetiver and subtle vanilla. So for me, Hanami is a complex fragrance that recalls a tender memory.

Buying a perfume after you’ve gone through turmoil is another way to experience well-being, at least in my scent obsessed world. I did just that after my recent unexpected surgery, as I deserved and needed a new scent to appease my situation, right? One read of March’s review of Strange Invisible Perfume’s limited edition Dimanche was all it took for me to decide what perfume I would indulge in. Thankfully, I concur with her glowing review. In fact, I’m having a hard time using any other perfume these days as I am in full-blown Dimanche infatuation. I agree with March that Dimanche is sharp in the beginning due to iris that isn’t tempered with something soft to round its edges. Instead, bittersweet cocoa and powdery rose heighten its intensity throughout the top and especially in the heart of the fragrance. Dimanche doesn’t settle until the drydown when hay and honey emerge, making for one interesting affair. It gets even more fascinating when the soapy quality of iris surfaces. This might sound like a motley crew of notes, but it works. It’s compelling, rich, and to use an overused word, a little bit fierce.

Chêne by Roxana Villa is a perfume I wished I’d had this past winter. Although it is a chocolate based fragrance, it suggests a similar ambience to DSH’s Bancha. Chêne is dark and rich with oud, woods and resins yet has a piquant vitality that keeps it from becoming too heavy. The base of this solid perfume is composed of cocoa butter, beeswax, and jojoba seed oil which is dreamy to apply, and perfect for the rainy days of spring around the corner.

These perfumes, and the Royal Couple candle, are all natural and contain no synthetics, petrochemicals, or phthalates. Many of them also use organic ingredients.

Please visit the other blogs who are participating in this comforting event:

SmellyBlog

Roxana’s Illuminated Journal

BitterGrace Notes

Perfume Shrine

Notes from the Ledge

The Non Blonde

Perfume in Progress

Katie Puckrick Smells

A Rose Beyond the Thames

I Smell Therefore I Am

Olfactarama

All I Am A Redhead

Savvy Thinker

Posted by ~Trish

“Bird in the Magnolia Nest” by Hadley Hutton available at etsy.

“This article’s title is an homage to Michelyn Camen‘s original article of this same name on Sniffapalooza Magazine in 2008, in which interviewed several perfumers to comment on what botanical elements make their perfumes comforting.

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